Hot Damn It's HOT
Largehearted Boy clues us into a Sucide Girls interview with author Chuck Palahniuk.
An excerpt:
Daniel Robert Epstein: What are you up to?
Chuck Palahniuk: Not much. I’m just coming back from picking up my day’s food.
DRE: Are you going on tour soon?
CP: I just finished a US tour and I start the Canadian tour this weekend.
DRE: So Haunted is a crazy book and I totally forgot that Guts was in it. Guts is a really gross story.
CP: Yeah but a funny one.
DRE: It’s very funny because I can see that happening to me which is the sad thing.
CP: I think that’s why people relate to it. Everybody’s got sort of a horrific sex story like that.
DRE: Guts was the one that was making people pass out at readings. Would you read the whole story at the readings?
CP: Oh yeah but typically I’d have to stop halfway through when the people were being lowered to the floor. Everyone was all upset about these people passing out. Then I’d finish the story.
Read more here...
Michael Berube has a new post on literary criticism entitled "Everything You Know Is Dead," a must-read for anyone in the same position as I am educationally or otherwise.
An excerpt:
Early last year, I announced that literary theory was dead. Now, just this past May, while I wasn’t looking, Judith Halberstam announced The Death of English. Well, Jesus, Mary, and Joseph. First the author, then Man, then theory, then English. Where are we going to put all these bodies?
Now, I’m fond of Halberstam’s Female Masculinity, which I recommend not merely for its adventures in gender-bending but also for its brief, charming queer reading of the movie Babe. But the disciplinary history of English isn’t her strong suit. There’s a great deal to quibble over in her essay, but I really can’t keep asking my faithful readers to plow through extremely long posts and neglect their jobs, so, ye faithful readers, I will call to your attention only to a couple of things.
Read more here...
Currently reading: Theodore Dreiser's Sister Carrie

Dreiser's Sister Carrie is an urban novel. A country girl comes to the city, ends up with a slick saleman as a kept woman, but runs off with a bar manager to New York where she finds fame as an actress. Her bar manager husband falls on hard times and kills himself. Carrie's fortunes rise as Hurstwood's falls. The characters operate in the world of the city with its mystical pull. Their decisions and some chance events help guide along the plot, but this is a world of survival of the fittest. Carrie turns out to be fit, while Hurstwood does not. There are undertones of Darwin's theories. Dreiser himself occasionally appears as a voice in the work separate from the narrator and the characters...








